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Revered in his day in his native Austria as the nation's leading composer and an elite teacher, cellist, and pianist, his name will not be known to many. This is due, at least in part, to a perceived association with the Third Reich (against which there is ample evidence). This first release on CD of two premiere recordings, meticulously produced and restored by Lani Spahr, showcases Schmidt's unique harmonic language, exceptional contrapuntal skill, and mastery of form, qualities which prompted Hans Pfitzner to call Schmidt's Symphony No. 4 \"nearer perfection than Bruckner, more honest than Richard Strauss and more original than Reger\". Born in Pressburg (Bratislava) in 1874, Schmidt's teachers (piano) included his mother (herself a student of Liszt), Rudolf Mader, Ludwig Burger and Theodor Leschetizky; (cello) Karl Udel and Ferdinand Hellmesberger; and (theory) Felicián Moczik and Robert Fuchs. He was, for a time, principal cellist in the Vienna Philharmonic under Mahler. 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With the fading of this unfortunate association a growing number of prominent conductors (the Järvis, Welser-Möst, Luisi, Bychkov) have begun to revive performances of his music in our time. 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A particularly beautiful violin was made by the German luthier David Tecchler in Rome - 1400 km from Störmthal - during that same year. Both instruments have survived and have been excellently restored; now, three hundred years after their creation, they meet for the first time. Nadja Zwiener, leader of The English Concert and Johannes Lang, the current organist of the Thomaskirche here celebrate the 300th anniversary of these two instruments and Bach's investiture in Leipzig with a florilegium of works by Bach himself, his contemporaries and his predecessors. 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In the recent years the orchestra has been conducted by Gustavo Dudamel, Valery Gergiev, Franz Welser-Möst, Daniel Barenboim, Christoph Eschenbach, Zubin Mehta and Andris Nelsons. Among the previous guest soloists were: Renée Fleming, Lang Lang, Rudolf Buchbinder, Katia and Marielle Labèque, Yuja Wang, Jonas Kaufmann, Igor Levit, Gautier Capuçon and Elina Garanca. It is Sony Classical's 12th release of the Summer Night Concert.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDie Walküre: Walkürenritt\u003c\/li\u003e\n\u003cli\u003eTannhäuser: \"Dich, teure Halle, grüß ich wieder\"\u003c\/li\u003e\n\u003cli\u003eMá vlast, JB 1:112: II. 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Kubelík was the sixth of the eight sons of the distinguished Czech violinist Jan Kubelík and the Hungarian-born Countess Marianne Csaky-Szell. Between 1921 and 1929 he studied the orchestral repertoire daily by playing four-hand piano arrangements with his uncle Frantisek Kubelík, prompting this comment from his father in 1926: 'He could realise great things. He is eleven, plays splendidly violin, piano, sight-reading scores and has a good knowledge of the orchestra. Some time ago he had a look to one of my orchestral works and asked me to add a horn to a particular part: he was right!' He entered the Prague Conservatory in 1929 where for the next four years he studied piano, violin and composition. The present release showcases Kubelik with the Weiner Philharmonic, as they perform Tchaikovsky's Symphonies Nos. 4, 5, and 6, as well as Romeo and Juliet. 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